Studying the 19th-century cyanotypes of Anna Atkins, Meghann Riepenhoff (born 1979) was motivated in 2013 to get out of the darkroom and into the world to make her work. She began making cyanotypes directly in the environment, where elements like precipitation, waves, wind and sediment physically etch into the photo-chemistry. Two of Riepenhoff's cyanotype series, Littoral Drift and Ecotone, are brought together in this new publication.